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How to Buy a Car with Bad Credit, Auto Credit Express® Video
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76 Bad Loans $11.18 The Capitol Steps are in great form with these brilliant parodies from the early ’90s. With all of the colorful and often empty-headed politicians providing great ideas with their antics, the group was inspired to spoof the Beach Boys with “Fun, Fun, Fun ‘Til Teddy Puts His T-Shirt Away” (skewering the middle-aged Teddy Kennedy, who still was behaving like a college student on spring break); the Bee Gees with “Slipped Disco (Keep Him Alive),” mocking Dan Quayle waiting for the possibility of George Bush’s passing; muckraking author Kitty Kelley with “I Feel Petty”; the age-old drinking song transformed into a lampoon of Los Angeles Police Chief Daryl Gates with “Roll Out the Daryl”; and the Congressionally guaranteed debts that floundered in “76 Bad Loans.” Unlike many of their later CDs, most of the tracks on this release were recorded in the studio instead of in front of audiences, except for the last two tracks, including the brilliant Dr. Seuss-inspired “Three Eggs and Ham.” ~ Ken Dryden, Rovi Performers: Emily Bell – Piano |
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Michigan $9.49 Michigan |
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Bad Habits $12.72 After playing the 2010 Alternative Press Tour and 2011 Vans Warped Tour, frontman David Ryan Strauchman changed up his style by trimming off his swoopy bangs and growing a beard, but this was no indication that his band was moving in a new folky direction. Every Avenue remain as emo pop as ever, and Bad Habits continues right where Picture Perfect left off — with clean, Auto-Tuned production and upbeat singalongs about relationships in the burner. Bad Habits isn’t weighty enough to be a true concept album, but drugs and booze come into play often. Strauchman rarely glorifies partying, singing instead with regret about his bad habits, just as he does when he’s reflecting on breakups. While introspective in nature, the songs are sung with pep, even when he questions a lover’s devotion or mourns another night drinking alone. All in all, Bad Habits is pretty typical contemporary mainstream pop-punk fare, slickly recorded, and divided evenly between anthemic arena rockers and festival-friendly power ballads. ~ Jason Lymangrover, Rovi Performers: David Ryan Strauchman – Vocals; Dennis Wilson – Drums; Jimmie Deeghan – Guitar; Joshua Withensaw – Guitar; Matt Black – Bass |
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YOU TREAT ME BAD $14.38 Featured on many of the classic garage comps, the JuJus became Western Michigan’s most revered garage band. Here are all their singles and a heap of unissued cuts (plus a nice retrospective from band member Rod Shepard in the liners): •I’m Cryin’; I Love Her So; You Treat Me Bad; I’m Really Sorry; Fine Day; Do You Understand Me; The Gentle Rain; Hey Little Girl•…23 tracks! |
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Living On Credit $9.49 Living On Credit |
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Bad Channels $17.84 “Music composed and performed by Blue Öyster Cult,” reads the credit for this soundtrack, and that turns out to mean two actual BÖC songs, 19 instrumental excerpts, the longest of which is under two-and-a-half-minutes, and nine songs by otherwise anonymous heavy metal groups. There’s a lot of music here — the disc runs over 71 minutes — but little of it is memorable. ~ William Ruhlmann, Rovi Performers: Allen Lanier – Guitar, Keyboards; Brian Smolar – Vocals (Background), Bass; Buck Dharma – Vocals, Guitar, Keyboards; Chris Crider – Guitar; Chuck Burgi – Vocals (Background), Drums; Crusty Udder – Vocals, Guitar; Danelle – Guitar, Vocals; Dr. Rhythm – Drums; Eric Bloom – Vocals, Keyboards, Guitar; |
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Tales for Bad Girls $11.18 Having a female lead singer with an angelic vocal style is not mandatory for gothic metal bands. There is no law stating that a gothic metal outfit cannot have an all-male lineup. But angelic-sounding female singers are certainly plentiful in gothic metal, and Forever Slave’s lead singer/co-founder Lady Angellyca favors a sweetly angelic vocal style that is exactly what many people expect a gothic metal singer to sound like. Comparisons to Lacuna Coil, Nightwish, the Gathering and Octavia Sperati (other European gothic metal bands with female lead singers) are applicable on Tales for Bad Girls, which isn’t groundbreaking but deserves credit for being well-crafted and enjoyable. This type of approach calls for a healthy balance of the aggressive and the ethereal, and Forever Slave achieves that. Despite the stylistic similarity to the abovementioned bands, one thing that Forever Slave doesn’t have in common with them is the fact that Forever Slave is based in Spain (coastal Valencia, to be exact). While Italy, Holland, and the Scandinavian countries have all had their share of gothic metal activity, Spain isn’t considered one of Europe’s gothic metal hotbeds — at least as of late 2008 — and unlike all the rock en español bands in Spain, Forever Slave opts to write and perform mostly in English. Tales for Bad Girls contains one song in French (“Larmes et Roses”), but English is the 2007 recording’s dominant language, which makes sense from a marketing standpoint because English is gothic metal’s dominant language (although the romance languages can work well with goth melodies, as “Larmes et Roses” demonstrates). Again, Tales for Bad Girls isn’t groundbreaking, but it’s a respectable effort that is worth exploring if one has a taste for bands like Lacuna Coil, the Gathering and Octavia Sperati. ~ Alex Henderson, Rovi |
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In The Bad Bad Old Days $3.49 In The Bad Bad Old Days |
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Bad Bad Boyz $4.99 Bad Bad Boyz |
